Focus session · editing · 25 min

25-minute focus session for editing with a train carriage, when you are doing this for the first time

25 minutes on editing — the boring pass that makes it readable. One pomodoro, long enough to get somewhere and short enough to start.

25:00

Press start. The timer keeps time so you do not have to look at a clock.

There is nothing to get right here. Nothing is being scored. If this is your first go, stay with the plainest version of the instructions. Straight through, at a normal pace.

1 Before you start

  • Turn off notifications for the next block, not just to silent.
  • Decide what you will do if you get stuck: write the problem out, then move on.
  • Make sure your chair is at a height where your feet are flat on the floor.
  • Remind yourself that you are allowed to produce something mediocre in the first pass.
  • Dim the screen slightly. Bright screens make long sessions harder than they need to be.

2 While the timer runs

  • When you finish a piece, pause for three seconds before starting the next. It keeps the pace honest.
  • It is fine to stare at the wall for a minute. That is often where the answer is.
  • Notice whether you are working or performing work. They look similar from the outside.
  • The first urge to stop usually arrives early. Sit through it once and the second one is quieter.

3 When it ends

  • Roll your shoulders and your neck before the next block.
  • Have a drink of water before you check anything.
  • Write down the question you could not answer, so it has somewhere to live.

4What to put on

a train carriage — Rhythmic, low, and slightly rumbly. Many people find the motion-and-noise combination easier to work to than silence.

This page is a tool, not a course. Nothing is tracked, nothing is saved, and nobody is told whether you finished.